Pink Floyd sign to EMI Records in in 1967. ibid.
‘We were committed to being a pop group and Syd was absolutely on the way to being, No I don’t want to be a pop star.’ ibid.
Stories are legion about Syd’s alarming behaviour on stage in this period. ibid.
For several shows the band perform as a five-piece in the hope of keeping Syd around. ibid.
Syd’s last gig with Pink Floyd was on 20th January 1968 at Hastings Pier. ibid.
They are an anomaly. The Sparks Brothers, admirer, Amazon 2021
They don’t really look a band. They do look like people who’ve been let out for the day. ibid.
They’re otherworldly. ibid.
The best to come out of America. ibid.
There are 25 Sparks albums. ibid. Russell
How can Ron and Russell Mael be successful, underrated, hugely influential and overlooked all at the same time? ibid. commentary
We made our first appearance on American Bandstand … ‘Can I get approval for these poor guys in aisle six.’ ibid. band present food stamps
Old Grey Whistle Test: The presenter Bob Harris didn’t like Sparks. ibid. admirer
They literally were thrown out of England. ibid.
Being a British band was a lifetime dream of ours. ibid. Ron
You won’t believe what’s on the television. Mark Bolan is playing a song with Adolf Hitler. ibid. John Lennon call to Ring Starr, anecdotal
Sparks: Kimono My House. ibid. 1974 album
People went their separate ways … Art for Art’s Sake. ibid band splits
Our film project with [Jacques Tati] is like that cake … just fallen to bits. ibid. Russell
Lyrically, they just go mental. ibid. admirer
A punk sensibility to it. ibid. Ross
‘Where is that Yankee ingenuity? …’ ibid. Big Surprise tonight lyrics
Sparks 1979: Beat the Clock. ibid. caption
The apogee of electronic pop music. ibid. admirer from Heaven 17
May 1982: Anst in My Pants. ibid.
The things we wish to convey is a sense of joy. ibid. Ron
Sparks are a lot of things Americans don’t care for. ibid. commentator
They recorded every day. ibid.
They had saved for that rainy day … They were working so hard … They never tried to dumb it down. ibid.
Bloody hell, they look amazing. Have they not aged? ibid.
In the mid-1990s a music revolution swept the UK. An exciting new wave of guitar bands from all corners of the country was storming into the charts. Driven by swaggering confidence and bitter rivalries it became the biggest moment in British pop in the last 30 years. Britpop: The Music that Changed Britain I, Channel 5 2023
Blur: It was May 1991 when the bands whose roots were in Colchester entered the Top 10. ibid.
The sound emerging out of Manchester at the time from bands like the Stone Roses, Happy Mondays and Inspiral Carpets. ibid.
Son of a Haywood’s Heath cab driver, Brett Anderson had originally formed Suede in London in the late ’80s with schoolmate Mat Osman. ibid.
Britpop would get its superstars … In Manchester a hurricane was brewing as Oasis were about to take Britpop to the masses … The inexorable rise of the Gallagher brothers had begun. ibid.
‘Elastica were very important in that emerging Britpop movement.’ ibid. journalist
A creatively invigorated Blur had been recording their third album. ibid.
By the summer of ’94 Britpop was in full swing. ibid.
Oasis: An expletive-heavy single release featuring an explosive recording of the brothers arguing reached Number 52 in the charts. ibid.
1994 had seen a musical revolution hit the UK as a handful of Britpop pioneers rejected American grunge and gained millions of new fans. Britpop: The Music that Changed Britain II
1995: The Year Britpop exploded and a wave of new bands transformed the music scene. ibid.
Homegrown guitar music was in demand. ibid.
Paul Weller’s new stripped down approach chimed with the times … his third album Stanley Road in May 1995. ibid.
‘Me and Kermit got together and we started writing for the Black Grape stuff.’ ibid. Shaun Ryder
Another quintessentially British band … Pulp. ibid.
Supergrass: Five singles taken from I Should Coco. ibid.
The feud between Blur and Oasis was about to boil over. ibid.
In the background was the corporate might of the music industry. ibid.
Menswear: The hedonistic atmosphere around the band grew ever wilder. ibid.
1995: An increasing number of female stars came to the fore sharing their perspective on aspects of British life. ibid.
Blur: The Great Escape album: great reviews and topped the charts. ibid.
Oasis: What’s the Story, Morning Glory: Global sales of over 22 million … Oasis had blown the competition out of the water. ibid.
A spellbound UK captivated by a new music scene: Britpop. Britpop: The Music that Changed Britain III
1996: Britain’s biggest band were riding high … A year of Oasis dominance. ibid.
Oasis: Wonderwall … sold 23 million copies. ibid.
Even comedy cover versions could become hits. ibid.
Oasis: Don’t Look Back in Anger. ibid.
‘Manchester and Liverpool combined have probably created the best music in the world.’ ibid. Noel
Britpop would join forces with football … New Order: World in Motion … ibid.
Oasis: And then it was Nebworth: 250,000 people: Even the critics were being carried along with the wave of enthusiasm … Was this the moment Britpop peaked? ibid.
In 1996 Britpop seemed like an unstoppable force. The soundtrack to national events and the breeding ground for superstars. Britpop: The Music That Changed Us IV
Non-stop hedonism and excess … and ever-heavier drug use … the party was almost over. ibid.
Nebworth: The biggest concerts in British music history … The problem for Oasis was how to follow that …
Oasis made a fateful decision: to go to America … This time it was Liam headed for the exit. ibid.
The gravity-defying vocals came from David McAlmont. ibid.
Manic Street Preachers: 5 consecutive top-ten singles. ibid.
A movement that had once been defined by innocence and fun was evolving into something altogether darker. ibid.